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Where to buy amoxicillin, On 8 August 2003, JACIC (Jindal Arts Creative Interaction Centre) organised a panel discussion on “Radio Beyond Broadcasts”. This panel, held at the National Centre for Performing Arts (NCPA) in Mumbai, explored the uses of low-power radio as an inexpensive medium for creative expression in theatre, concert music, heritage walks, amoxicillin for tooth abscess, street performances, sound installations, and other forms of non-polluting public audio broadcasting. The panel was initiated by Shekhar Krishnan, Penicillin amoxicillin, social scientist and media activist, and Vickram Crishna, CEO of Radiophony India Pvt Ltd, a consultancy dealing in low-cost wireless and radio solutions for mass communications in India. The other panelists were conservation architect Abha Narain Lambah and artists Sharmila Samant and Tushaar Joag of the Open Circle Arts Trust, Mumbai, medicine amoxicillin. Following a presentation and talk by Crishna on the potential uses of low-power radio beyond its conventional and legally sanctioned broadcast uses, the three panelists offered their responses and questions, and initiated discussion with the audience on issues concerning urban arts, heritage, Amoxicillin nausea, tourism, and citizenship. The panel discussion was chaired by Shekhar Krishnan, where to buy amoxicillin.

Crishna emphasised that despite being one of the cheapest and most accessible technologies for mass communications in the world, and with airwaves not being a limited or expendible resource, radio is generally not seen as something individuals and communities can do by and for themselves. The government’s monopoly over the spectrum has created a situation of artificial scarcity of an otherwise abundant resource in the airwaves, structure of amoxicillin, which are rationed out at steep entrance fees through the broadcast license regime. Despite recent liberalisation of this regime — such as through the new FM radio stations broadcasting in many Indian cities for the past year — the airwaves remain mostly under state control, a resource denied to all but a few broadcasters from the corporate entertainment industry, state corporations like All-India Radio, Amoxicillin sinusitis, and a handful of elite colleges with campus radio programmes. In contrast to this situation of a small number of commercial stations with fairly homogeneous content, the FM spectrum in India could actually support up to 1.5 million radio stations, ranging in their content, form and scale to suit their communities of listeners and broadcasters, and fostering a much greater diversity of cultural exchange, amoxicillin refrigeration, and creative and political expression. Where to buy amoxicillin, As part of the panel’s focus on new forms of communication, Tushaar Joag and Sharmila Samant of the Open Circle Arts Trust briefly introduced their group’s recent initiatives in spreading new forms of activism by visual artists, against the rising tide of intolerance and communal violence. Reclaim Our Freedom Week, organised in August 2002, filled railway stations, Amoxicillin versus penicillin, public spaces and art galleries in South Mumbai with screenings, talks, exhibitions and performances in protest against religious violence, in the wake of the Gujarat riots. The India Sabka Festival, co-organised with Majlis in December 2002, amoxicillin storage, marked the tenth anniversary of the Babri Masjid demolition with students competitions and a cultural festival which employed billboard and architectural designs, video and art installations, performances, and fiction writing on the theme of secularism and cultural pluralism. Birth control amoxicillin, Open Circle has been active in taking art out of the gallery circuit and into public spaces, posing important questions about how public art can promote tolerance and multiculturalism. In this context, Samant described several projects in which radio technology is being used by artists to create new experiences of space through innovative sound installations.

Abha Narain Lambah, conservation architect, discussed several scenarios in which low-power radio could be used to promote tourism, as well as increased awareness of heritage and local history in urban neighbourhoods and culturally significant regions outside cities, where to buy amoxicillin. Whereas heritage conservation in India has remained an elitist pursuit — concerning itself mostly with the tangible and physical dimensions of buildings and urban precincts — the more intangible qualities of cultural identity, memory, amoxicillin 400, and community have been ignored in debates on heritage. The connection between buildings and landmarks, and their cultural and historical references in the memory and traditions of local communities could be bridged through radio walks and tours in urban villages like Khotachiwadi, or Pali Hill in Bandra — whose neighbourhoods mark the lives of important directors, Amoxicillin for sale, musicians, and other personalities of the Bombay film industry. As each building or street has a story to tell, low-power radio broadcasting combined with cheap headphone receivers provides heritage enthusiasts and cultural activists with the media beyond the picture postcards and coffee-table books that we associate with heritage. Low-power radio could also be used by communities to share and promote intangible heritage, such as local musical and story-telling traditions, amoxicillin oral suspension, as well as assist communities in organising around civic and infrastructural concerns and improving their environments. Where to buy amoxicillin, Like physical space and the built environment, the airwaves are a space in which cultural values can be shared and made meaningful for the community.

Recent debates in the mainstream media in India have focussed only on the failures of the present license regime to encourage competition and profits in newly liberalised FM markets. While the Central Government is revising its licensing policies to increase its own revenues, and further commodify the radio spectrum, Amoxicillin amoxil, Radiophony India views the airwaves as a commons and public space, in which the battle for communications rights and media democracy must be waged by organised communities and activists, artists and creative and media practitioners, and concerned citizens. Crucial to this battle is control over the means of broadcasting by communities themselves. Radio walks in heritage precincts could quickly become another kind of elitism, amoxicillin for throat infection, if it is only understood as a tourist technology — which turns living communities into art objects, like in a gallery or museum, subject to the voyeuristic gaze of the radio-enabled consumer. However, if communities themselves control the programming and content of the broadcast, and access is not restricted either to the state or a few large commercial players, the potential for new creative uses of radio beyond broadcasts are as vast as our imagination — and the airwaves — permit them to be.

For more information, visit Radiophony India and Open Circle Arts Trust, or e-mail Vickram Crishna, Abha Narain Lambah, and Open Circle Arts Trust.

Originally published in Art India, 14 August 2003.

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